Par Thomas Martin
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A trumpet-l’oeil permanent. L’Hôtel Fouquet’s Barrière Paris, palace de 107 chambers à deux pas des Champs-Elysées, Datton dans le Triangle d’or de la capitale. It was said that he had imagined the incident in 2006 by Edouard François at the coin of Rue Quentin Bauchard and of Rue Vernet at his superior.
The concept of ou moulé-troué
The archetype of the tailor unleashes a tail. An ensemble of sept immeasurable composé of varsity and faux hausmanniens et d’un bâtiment datant des années 70 formaient un preslot presque complet dans ce quartier huppé de la capitale. The lullaby did not unite many different elements to make a palace parish.
For this reason, he invented the concept of “moul-troué”. Ous Nous avons copié l’authentique façade haussmannienne de l’îlot, explicit-t-il sur site. Nous l’avons applies to renovations on the faades, there is a bas-relief of Petra. These last days are perceived by the large ouvertures, totally independent of these hassmanians but their attendants regardless of their plans and visuals in the chambers.
The Barrière hotel group does not comply with many beautiful bastions and pastries. The lion’s head, the angels, the cornices, the rainbow. Devote chaque «vraie» fanêtre, des écrans de télévision renforcent l’aspect insolite de l’immeble.
In Paris, the other fa soades have the trumpet-l’oeil permanents. The fa quades which, first come to mind like all the celles which are entwent, more, dont the ports, fenestres and balconies are in fact. However, there is a realization of realism.
Concerns for conservation of the architectural unit of the Rue, that cachent bien souvent des electrical systems or ventilation of the Parisian society of transport, the RATP.
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